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Selected press:

Die Welt

Neue Zuercher Zeitung: Lucerne Festival

Neue Luzerner Zeitung

Portrat Tages-Anzeiger

Neue Luzerner Zeitung: interview

Neue Burcher Beitung: Musik und Politik

St. Galler Tagblatt: Hauch von Revolution

Die Sudostschweiz: Musik Theater

Tages Anzeiger: Musk, direktin den Magen

Suddeutsche Zeitung: Keine Unschuld. Czernowins Oper "Pnima" gelingt prazise in Luzern

Czernowin: New Music Box. By Frank Oteri 6/6/2011

Miller Theatre portrait concert

Soaring Sounds of Music

Shifting Gravity CD REVIEW

Czernowin Composer-in-Residence
at Lucern Festival, Aug. 2013

Chaya Czernowin
Walter Bigelow Rosen Professor of Music; Graduate Advisor in Composition
Composition (on leave fall 2012)
chayaczernowin@gmail.com
Music Building 308N
617-495-36473

chayaczernowin.com

Chaya Czernowin was born in 1957 in Israel and studied composition at the Tel Aviv Rubin Academy of Music from 1976 until 1982. Fellowships and studies followed in Berlin (DAAD scholarship 83- 85), the USA (University of California, where she received her PhD, 87-93),  and Japan (93-95 Asahi Shimbun Fellowship and National Endowment of the Arts Fellowship USA), and in Germany (fellow, Akademie Schloss Solitude, Stuttgart, 1996). During these years she was able to concentrate on forming her musical language and thought. Her main teachers were: Abel Ehrlich, Izhak Sadai, Dieter Schnebel, Eli Yarden, Joan Tower, Brian Ferneyhough, and Roger Reynolds.

Czernowin’s chamber and orchestral music has been played at more than forty festivals all over the world and include commissions by major ensembles, orchestras, and festivals (Ensemble Modern, Klangforum Wien, Intercontemporain IRCAM, ELISION, Recherche, San Francisco Contemporary Players, ORF Orchestra, Vienna, SWR Baden-Baden Orchestra, and Munich Philharmonic to mention a few). Characteristic of her work are attempts to find alternative temporalities, changing perspectives and scale, fragmentation, examination, and stretching of identity; all coupled with a strong physical imprint and high emotional intensity.

Czernowin wrote the opera “Pnima…ins Innere” for the Munich Biennale 2000. This work hauntingly treats the difficulty of communicating a traumatic experience, in this case the Jewish holocaust. The work was awarded the Bavarian Theater Prize and was named “Best Premiere of the Year 2000” by the critic's survey of the magazine Opernwelt. In 2005 and in 2006 Czernowin was composer in residence at the Salzburg Festival, where she was commissioned to supplement Mozart's opera “Zaïde.” The resulting work “Zaide/Adama, fragments,” is a first attempt of its kind to answer an unfinished work with an intervening contemporary “counterpoint work.” “Zaide/Adama, fragments” was broadcast on ARD TV and recorded on Deutsche Gramophone.

Czernowin sees composition teaching as directly connected to her compositional work. She has taught composition at the Yoshiro Irino Institute, JML, Tokyo, Japan and at the Darmstadt International Summer Courses for New Music (where she won the Kranichsteiner Musikpreis in 1992). From 1997- 2006 Chaya Czernowin was professor of music composition at the University of California, San Diego. In 2006-2009 she was chosen to be the first female composition professor at the University of Music and Performing Arts in Vienna. Since 2003 Czernowin has directed the Summer Academy for Composers at the Akedemie Schloss Solitude, Stuttgart. Guest professorships, presentations and master classes include Tokyo University for the Fine Arts, Yonsei University, Korea, Gothenburg Music Academy, Sweden, Helsinki Sibelius Academy, Finland, Oslo Music Academy, Paris Conservatoire, Graz Music University, Basel Academy, Zurich Hochschule, Stanford University, Columbia University, Yale, Florida State University, Gainesville, Leeds, and Brunell Universities, England, and many others.

In addition to numerous other prizes, Czernowin was awarded the IRCAM reading panel commission in 1998, a few scholarships of the SWR experimental Studio Freiburg, Förderpreis of the Ernst-von-Siemens Music Foundation in 2003, an award from the Rockefeller Foundation in 2004, and the Fromm Foundation Award in 2008. Her work is published by Schott.


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c 2010 President and Fellows of Harvard College