Neue Zuercher Zeitung: Lucerne Festival
Neue Luzerner Zeitung
Neue Luzerner Zeitung: interview
Neue Burcher Beitung: Musik und Politik
St. Galler Tagblatt: Hauch von Revolution
Die Sudostschweiz: Musik Theater
Tages Anzeiger: Musk, direktin den Magen
Suddeutsche Zeitung: Keine Unschuld. Czernowins Oper "Pnima" gelingt prazise in Luzern
Czernowin: New Music Box. By Frank Oteri 6/6/2011
Miller Theatre portrait concert
Soaring Sounds of Music
Shifting Gravity CD REVIEW
at Lucern Festival, Aug. 2013
Walter Bigelow Rosen Professor of Music
Music Building 308N
Chaya Czernowin was born and brought up in Israel. After her studies in Israel, at the age of 25, she continued studying in Germany (DAAD grant), the US, and then was invited to live in Japan (Asahi Shimbun Fellowship and American NEA grant) Tokyo, in Germany (at the Akademie Schloss Solitude) and in Vienna. Her music has been performed throughout the world, by some of the best performers of new music. She has held a professorship at UCSD, and was the first woman to be appointed as a composition professor at the University of Music and Performing Arts in Vienna, Austria (2006-2009), and at Harvard University in (2009 and on) where she has been the Walter Bigelow Rosen Professor of Music. Together with Jean-Baptiste Jolly, the director of Akademie Schloss Solitude near Stuttgart and with composer Steven Kazuo Takasugi, she has founded the summer Academy at Schloss Solitude, a biannual course for composers. Takasugi and Czernowin also teach at Tzlil Meudcan, an International course based in Israel founded by Yaron Deutsch of Ensemble Nikel.
“Vital, visceral, wild and undefined as experience itself – can music be that? I have heard such music, rarely, but, it has changed my life. Attempting to work towards it, though, is a difficult balancing act: one must be as sensually sensitive as if one has no skin, while exercising the analytical clarity, precision and focus of holding a surgeon’s knife.”
— CHAYA CZERNOWIN
Czernowin’s output includes chamber and orchestral music, with and without electronics. Her works were played in most of the significant new music festivals in Europe and also in Japan, Korea, Australia, North and South America. She composed two large scale works for the stage: Pnima...ins Innere (2000, Munich Biennale) which was chosen to be the best premiere of the year by Opernwelt yearly critic survey, and was awarded the Bayerischer Theater Preis, and Adama (2004/5) with Mozart's Zaide (a commission of Salzburg Festival 2006). She was appointed Artist-in-residence at the Salzburg Festival in 2005/6 and Artist-in-residence at the Lucern Festival, Switzerland in 2013.
Characteristic of her work are the use of metaphor as a means of reaching a sound world which is unfamiliar; and work with noise and physical parameters such as weight, textural surface (as in smoothness or roughness, etc.) to create sonic entities which "live" in a field where perspective and distance change; the inquiry and problematization of the nature of musical energy, musical time, and unfolding; and the shifting of scale and perspective. All these Czernowin uses in an attempt to peel away the layers of the familiar to expose something essential underneath, something not yet known.
In addition to numerous other prizes, Czernowin represented Israel at Uncesco composer's Rostorum 1981; and was awarded the DAAD scholarship 1983-85; Stipendiumpreis (1988) and Kranichsteiner Musikpreis (1992), at the Darmstadt Fereinkurse; NEA grant 1994, IRCAM (Paris) reading panel commission 1998; scholarships of SWR Experimental Studio Freiburg 1998/2000/2001; the composer’s prize of Siemens Foundation 2003; the Rockefeller Foundation, 2004; a nomination as a fellow to the Wissenschaftkolleg Berlin in 2008; Fromm Foundation Award 2009; and Guggenheim Foundation Fellowship 2011. She is published by Schott. Her music is recorded on Mode records NY, Wergo, Col Legno, Deutsche Gramophone, Neos, Ethos, Telos and Einstein Records. She lives near Boston, with composer Steven Kazuo Takasugi and their son.